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Modern Surrealism art and surreal fantasy movement.

Definition: Neo-Surrealism or Neosurrealism is the term that has been given to the reappearance of the famous surrealism art movement in the late 1970s. Initially, the movement focused on relating surrealist art with pop-art, but lately modern surreal artists have been exploring other directions within the present movement. For a long time Neosurrealism was called modern surrealism art due to a noticeable visual similarity of these two fine-art movements. However, the main difference between two styles is that Neosurrealism does not have the original idea of freedom from rational controls or psychic automatism declared by Andr Breton, in his Manifestoes of Surrealism. Neosurrealism is a combined imagery of dreams and fantasies or subconscious mind visions in fine-art painting, digital-art graphic, and photography. Modern computer technologies brought tons of additional depicting power to contemporary artists. Neosurrealism does not have a particular founder or group. The movement is still not clearly defined, but it develops rapidly adding more professional and amateur art enthusiasts every day. There are thousands contemporary surrealism artists, digital and classic fine art media galleries, who create neo-surrealistic, surreal fantasy, and gothic fantasy art realism pictures comparable to Neosurrealism.

Modern Gothic art and its influence over contemporary subculture trends.

Modern Gothic as a term fits a lot of artwork around right now. Young critics are keen on it, magazines are featuring it, and galleries are showing it. When certain things become visible they become visible all at once. It was that way with Magic realism, Visionary, Neo-surrealism painting, and Neo-romanticism art. The contemporary Gothic revival is less a movement than a trend. Many dark landscapes of Goth, Black Metal, Cyber Punk, and Surrealism deal with gothic art attributes such as mystery, horror, ghostly shadows, unease, and religious-themed terror. They might be described as "gloomy," "grotesque," "sinister," "mysterious," "unnatural creatures," "ancient fears," "underground rituals," "esthetic death," "the imminent terror".
You may ask why Gothic now? First, we have to remember that the Gothic has never really left, another replaced one hell, but the artistic imagination has been filling the void. In the art gallery's world, fear and confusion have brought a return of the metaphysical. There's been a shift from the big picture to the little one, from the cultural to sub cultural, the outer world to the inner one. Cults are more absorbing to artists than society; optimism has turned into skepticism. Artists are using images and symbols in ways that attempt to short-circuit the sense that things are controlled from outside or underworld.
The Goth art has always had a conflicting relationship to authority. In the Gothic, the hero and the villain resemble one another; the evil can be redeemed. Therefore, fluid definitions of sexuality, self and subject matter are typical. This keeps the Gothic art pictures more elusive, deluded and stylish. Punk and Goth culture in here too, although it was mostly amateur. Still, we're talking about Dungeons and Dragons, Doom and Gloom, teenage angst, masculine overdrive and the Cure. Modern Gothic is many things, some of them extremely promising. However, most art pictures that are primarily Gothic have been dilettante. Many of them are prosaic, banal, nostalgic, and openly shallow. Without a doubt, any art that is essentially one thing is in danger of becoming repetitive. Forms stagnate; discounted thrills and cliché prevail; compelling symbols and ridicule horror are readily embraced. The best Modern Gothic art is way more than historical Gothic itself, and that's what makes it worth looking at right now.

Digital & art in the electronic age.

The history of every art form shows critical epochs in which a certain art form aspires to effects that could be fully obtained only with a changed technical standard, that is to say, in a new modern art form.
Walter Benjamin
The computer art represents the end of Renaissance space in art-the demise of Euclidean geometry. Digitization represents the new world order, the transition from simulacra to simulation, from copying to modeling.
Andrew Menard
The computer begins to assimilate representation itself video, film, and principally photography are being challenged to hold their authority against visual modeling systems that are emerging which eclipse their forms. As representation and technology converge, a modern art crisis emerges.
Timothy Druckrey
The new form of digital art was born without pompous manifestations and noisy commercials. Some of us still consider contemporary digital and 3d art as something mechanical and artificial, something that in some way is out of human touch. Nothing could be more wrong. Computers do not make fine art, people do. Computers are creative tools, much sophisticated ones. Once you try them you will never give up. Its a fresh creative drug for a new generation of modern artistic society. It is addiction with no cure.
George Grie
Computers represent a challenge to conventional notions of visual representation. Until recently, images have been created through acts of human perception either through skills based in eye/hand coordination or through the lens of photocopying processes of media tools such as photography, cinematic film, or video, where what is seen is recorded through various chemical or electronic processes as an immediate copy of reality. However, the computer reads electronically scanned aspects of reality as information about light structures, storing this numerical information in its database, which can eventually be programmed to appear as visual imagery. Computers greatly accelerate the process of mathematical abstraction in the visual arts. Digital images simulate the real by mathematically modeling it rather than imitating it through a copying process. Simulations cannot be considered as "simulacra" or copies, for there is no point in regarding digital information models as simple fakes or reproductions.

Digital Currents: Art in the Electronic Age
Book by Margot Lovejoy; Routledge, 2004
Subjects: Computer Art--United States, Postmodernism--United States, Technology And The Arts, Video Art--United States.

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